{"id":1504,"date":"2014-10-28T15:38:47","date_gmt":"2014-10-28T13:38:47","guid":{"rendered":"http:\/\/www.georgblaschke.com\/wp\/figure-5-2\/"},"modified":"2014-11-22T17:07:21","modified_gmt":"2014-11-22T15:07:21","slug":"figure-5","status":"publish","type":"post","link":"http:\/\/www.georgblaschke.com\/en\/figure-5\/","title":{"rendered":"figure 5"},"content":{"rendered":"<p>The choreography <em>figure 5 <\/em>sets urgent pictures of five bodies in different constellations of nearness and distance, as well as images of synchronicity and intimacy. Within a clearly defined stage area hedged in with the audience, <em>figure 5<\/em> can be observed as a mobile sculpture. The particular set design acts as a visual frame for the physical actions and enables a game with spatial fragmentation within the given place that the performers never leave. <em>figure 5<\/em>\u00a0leads to the barriers of mobility and plumbs the potential of emotional loading that is tied to pure gestures in emptied spaces, themselves driven by the pulse of poly-rhythmic bass lines in the soundtrack. Georg Blaschke has been consequently developing his distinctive choreographic language over the years and has presented it in various formats of collaborations.\u00a0<em>figure 5<\/em> and <em>figure 3<\/em>\u00a0\u2013 an adaption of the work for 3 performers \u2013 interrelate this language with phenomenological considerations about sculpture and space, starting from the body in motion.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The choreography figure 5 sets urgent pictures of five bodies in different constellations of nearness and distance, as well as images of synchronicity and intimacy. Within a clearly defined stage area hedged in with the audience, figure 5 can be observed as a mobile sculpture. The particular set design acts as a visual frame for [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[25,21],"tags":[],"_links":{"self":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1504"}],"collection":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/comments?post=1504"}],"version-history":[{"count":12,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1504\/revisions"}],"predecessor-version":[{"id":2728,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1504\/revisions\/2728"}],"wp:attachment":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/media?parent=1504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/categories?post=1504"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/tags?post=1504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}