The Bosch Experience part II is the second part of Georg Blaschke’s choreographic involvement with the world-famous triptych painting The Last Judgement by Hieronymus Bosch, exhibited at the Paintings Gallery of the Academy of Fine Arts in Vienna.
This second part implements a collaborative process between M.A.P. Vienna (artistic direction: Georg Blaschke)l awine torr\u00e8n (Salzburg\/AT, artistic direction: Hubert Lepka) and the Paintings Gallery of the Academy of FIne Arts in Vienna.<\/p>\n
body & machinery<\/strong> timor et tremor Test<\/p>\n","protected":false},"author":3,"featured_media":3098,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[22,23,21],"tags":[],"_links":{"self":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/2845"}],"collection":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/comments?post=2845"}],"version-history":[{"count":42,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/2845\/revisions"}],"predecessor-version":[{"id":3111,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/2845\/revisions\/3111"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/media\/3098"}],"wp:attachment":[{"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/media?parent=2845"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/categories?post=2845"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/tags?post=2845"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
<\/strong>Georg Blaschke takes us on a journey through the deployment of machines and relicts of machineries. This deployment ends with an expansion of the choreographic space of action. In body & machinery two bodies resonate with the heavy and dismembered materiality of these machine\u2019s fragments and give a new interpretation to their functionality: what was originally created to cause wounds and pleasures to the body and the earth is now relieved from its initial utility. Here the machine is a possible tool for tearing up ground and flesh but can also be considered as a separable accumulation of grotesque details. As a consequence of this choreographic projection, a complex and enthralling \u201cmovement created\u201d image, is brought face to face with the world\u2019s image of Bosch\u2019s painting.<\/p>\n
<\/strong>After the productions engel, hochwald and s\u00e4gewerk, timor et tremor is the \u201cfourth state of aggregation\u201d from Hubert Lepka \/ lawine torr\u00e8n\u2019s project about landscape. In this duo for a LED-Wall and a dancer, the artist engages with principles of polyphony and movement. His work focuses on the effects of multivoicedness on the aesthetics of contemporary dance and flows into the question: how can reaction, cancer, reversal and fugue be made useful for the aesthetics of horror?<\/p>\n","protected":false},"excerpt":{"rendered":"