



{"id":1480,"date":"2014-10-11T18:48:06","date_gmt":"2014-10-11T16:48:06","guid":{"rendered":"http:\/\/www.georgblaschke.com\/wp\/performance-and-cinemasessions\/"},"modified":"2014-11-23T10:24:16","modified_gmt":"2014-11-23T08:24:16","slug":"performance-and-cinemasessions","status":"publish","type":"post","link":"https:\/\/www.georgblaschke.com\/en\/performance-and-cinemasessions\/","title":{"rendered":"Performance and CinemaSessions"},"content":{"rendered":"<p>Four evenings with Live Sound about masculinity in Performance and Silent Movies.<\/p>\n<p>Programme:<\/p>\n<p>1. <em>ensemble in danger!<\/em>\u00a0\u2014 a male performance ritual by Georg Blaschke and Robert Steijn<br \/> Soundtrack &amp; Live-Dub: Ulrich Troyer<br \/>Feldenkrais Training: Sascha Krausneker<br \/>Length: 60 minutes<br \/>Two friends meet on a 4 m\u00a0\u00d7\u00a04 m platform similar to a boxing ring to establish a male ritual based on their friendship a well as on their different approaches to stage presence. At several points along the process they meet together with sound designer Ulrich Troyer and developed a performance, which gives space equally for impulses of bodies, words and sounds within a sensual dramaturgy of poetry and surrender.<\/p>\n<p>2. <em>At John\u2019s waterfall at the Radst\u00e4tter Tauern in Winter <\/em>(A, 1917) \u2014 Silent Movie<br \/> Live Sound: Florian Kmet<br \/>Length: 10 minutes<br \/>Amongst contemporary film critics this Austrian short film from 1917 is considered as a \u201chighly interesting and magnificent take of the ascent until the glacier and the ice grotto.\u201d<br \/>Thanks to early coloring treatments (red virages and blue tinting) this natural event still shines in brilliant colors even on screens.<\/p>\n<p>3. <em>Speak to him \u2014\u00a0<\/em>A Mountain Monologue by Robert Steijn, based on a collaboration with the Theater im Bahnhof, Graz Premiere: <em>Regionale 2010<\/em><br \/>Length: 8 minutes<\/p>\n<p>4. <em>The ascent of the Gro\u00dfvenediger, starting at Krimml <\/em>(A, 1928) \u2014 Silent Movie<br \/>Live Sound: Florian Kmet<br \/>Length: 8 minutes<br \/>Enacted masculinity. At first the \u201clonesome daredevil\u201d speeds across the idyllic villages on his motor bike, subsequently he walks on easy pace from the valley directly upwards to the peak of the mountain Gro\u00dfvenediger (Alps of Austria).<\/p>\n<p>5. <em>Somatic Script \u2013 <\/em>preview<em><br \/><\/em>First version of the choreographic research 2011 by Georg Blaschke.<br \/>Research and Performance: Heide Kinzelhofer and Petr Ochvat<br \/>Soundtrack: Ulrich Troyer<br \/>Feldenkrais Training: Sascha Krausneker<br \/>One female and one male performer re-construct personal somatic memories of their own movement development and give them a clear spatial orientation. Contact and touch lead to a choreographic context that is motivated by essential physical impulses \u2013 like fear reactions, moments of falling, of being lifted, carried and embraced, moments of wanting to fly and to hide, to be alone \u2026 These components define a script of non-verbal dramatic and comic constellations.<\/p>\n<p>6. <em>Die W\u00fcrghand<\/em> (A, 1920) \u2014 Silent Movie and DVD-Presentation<br \/><em>Die W\u00fcrghand<\/em>\u00a0\u2013 premiered successfully at the Viennale Filmfestival 2010 \u2013 is presented with the fulminant Live Soundtrack by Juergen Berlakovich and Ulrich Troyer. This session is originally part of the series \u201cCinemaSessions\u201d of the Filmarchiv Austria, which produced a series of DVDs including\u00a0<em>Die W\u00fcrghand<\/em>.<br \/>Duration: 69 minutes<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Four evenings with Live Sound about masculinity in Performance and Silent Movies. Programme: 1. ensemble in danger!\u00a0\u2014 a male performance ritual by Georg Blaschke and Robert Steijn Soundtrack &amp; Live-Dub: Ulrich TroyerFeldenkrais Training: Sascha KrausnekerLength: 60 minutesTwo friends meet on a 4 m\u00a0\u00d7\u00a04 m platform similar to a boxing ring to establish a male ritual [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[25,21],"tags":[],"_links":{"self":[{"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1480"}],"collection":[{"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/comments?post=1480"}],"version-history":[{"count":11,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1480\/revisions"}],"predecessor-version":[{"id":2781,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/posts\/1480\/revisions\/2781"}],"wp:attachment":[{"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/media?parent=1480"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/categories?post=1480"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.georgblaschke.com\/en\/wp-json\/wp\/v2\/tags?post=1480"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}