Idea

To choose movement as an artistic practice and to follow that practice often demands a readiness to adapt, reorient and question myself. This readiness constitutes an existential, sometimes precarious drive. The process of realising an idea, a vision including at the same time organisational, technical and financial necessities and obligations represents a fascinating as well as challenging practice. Closeness or distance to language as an instrument to describe, justify and evaluate a primarily non-verbal form of expression often places me into a kind of balancing act. I am experiencing this act as driven by curiosity and desire.

As an artist of the ephemeral I am trying to get hold of a quality, an essence that stays. What stays is the desire to grasp time that makes me approach the tangible again and again.